About us

Circular profile pics of INTERDEPENDENT artists inside a larger circle

Passionate
Artists

Visionary DIRECTORS

Maverick
Storytellers

An image of Executive Director Chris Amell in a suit jacket in front of an iphone microphone

Visionary
Risktakers

Circular profile pics of INTERDEPENDENT artists inside a larger circleVisionary DIRECTORSAn image of Executive Director Chris Amell in a suit jacket in front of an iphone microphone

Produced
Different.

All productions are presented to INTERDEPENDENT Executive Producers and other investors only after a live table read "performance" of the final draft of the screenplay with all attached actors. A schedule and budget must be informed by the director and every department head prior to  this presentation to investors. None of this work will be paid. Everyone's effort will be compensated in equity, but if the movie fails to move forward you risk a total loss of your time. Independent filmmakers do this every day, and we want the same independent spirit at the inception of every one of our productions.  Whether that's your capital investment or sweat equity, everyone has some skin in the game on every production at INTERDEPENDENT. We are 100% all in on making great movies audiences want to see and will make nothing ourselves until we prove that point.

Writers

Contributing good stories well told for honest equity

DIRECTORS

Auteurs in creative control of their production

ACTORS

Stars and fresh faces ready for the big scren

Join us

The Hu-Man With The Master Plan

Chris Amell | Executive Director "Freedom is obedience to self-formulated rules."
Aristotle

The Spirit of Interdependence

We invite you to find your role in an INTERDEPENDENT Picture.

Play Your Part

ACTOR

Contribute your talent on screen

Read and fall in love with a screenplay that has a part you are perfect to play. Then audition. It's that simple.

SCRIPTOGRAPHER

Submit a screenplay for consideration

We value a screenplay before anything else. Now accepting live action features of any genre or budget that is polished and ready for production.

READER

Recommend a screenplay for production

Get made what you read and want to see on the screen. Be an INTERDEPENDENT tastemaker and help crown the next generation of HOLLYWOOD royalty.

PRODUCTION ASSISTANT

Take the first step to producing

Enter a Production Assistant. Leave a Studiorunner. The path is laid out clearly, but it begins by learning the ropes and doing what you're told.

ASSOCIATE PRODUCER

Do what you can

Keep your day job, and contribute part time. If you've got a special set of skills we need, trade your nights and weekends for studio membership.

CINEASTE

Attend the next big event

We count on your ticket sales. If they predict a movie will make its money back, that is how a production gets the go-ahead. So see a preview and purchase a ticket to the premiere. A production doesn't get done otherwise.

PRODUCER

Git-R-Done

No weekend warriors here. Your focus is needed full time across a studio's entire slate. No producer is attached to just one production.

EXECUTIVE PRODUCER

Money talks speak loudly

As an EP you can make or break a production with a commitment to the screenplay. Total control is yours if a production goes over budget or behind schedule. Exercise caution. With great power comes great responsibility.

DIRECTOR

The buck stops here

You have final cut authority. You will need vision and, with us, some producorial skills as well. And while it is always a collaboration, it's undeniably your production.

ACTOR

Contribute your talent on screen

Read and fall in love with a screenplay that has a part you are perfect to play. Then audition. It's that simple.

SCRIPTOGRAPHER

Submit a screenplay for consideration

We value a screenplay before anything else. Now accepting live action features of any genre or budget that is polished and ready for production.

READER

Recommend a screenplay for production

Get made what you read and want to see on the screen. Be an INTERDEPENDENT tastemaker and help crown the next generation of HOLLYWOOD royalty.

PRODUCTION ASSISTANT

Take the first step to producing

Enter a Production Assistant. Leave a Studiorunner. The path is laid out clearly, but it begins by learning the ropes and doing what you're told.

ASSOCIATE PRODUCER

Do what you can

Keep your day job, and contribute part time. If you've got a special set of skills we need, trade your nights and weekends for studio membership.

CINEASTE

Attend the next big event

We count on your ticket sales. If they predict a movie will make its money back, that is how a production gets the go-ahead. So see a preview and purchase a ticket to the premiere. A production doesn't get done otherwise.

PRODUCER

Git-R-Done

No weekend warriors here. Your focus is needed full time across a studio's entire slate. No producer is attached to just one production.

EXECUTIVE PRODUCER

Money talks speak loudly

As an EP you can make or break a production with a commitment to the screenplay. Total control is yours if a production goes over budget or behind schedule. Exercise caution. With great power comes great responsibility.

DIRECTOR

The buck stops here

You have final cut authority. You will need vision and, with us, some producorial skills as well. And while it is always a collaboration, it's undeniably your production.

Upgrade to HOLLYWOOD 3.0

Contact